Cora Coralina in Front of the Bridge. City of Goiás in Brazil.
“I was born in this old house, in this old town in Goiás and I was born in the last century. I have all ages with me. I'm living the best moment of my life – a time of peace, tranquility, certainty, a time when I have nothing and I lack nothing. And I don't want to have more than what you see. All this is enough for me.” Cora Coralina Cora lived the house and everything around her, her gaze hovered over her daily life, her concerns... She spoke of the hands of a rural woman, of the life of washerwomen, prostitutes, farmers, her teacher, the children, of every stone erected in her city, but also for her in its history. Cora Coralina emerges as a living example of this situation. And, after living her life for her husband and children, often depriving her of her literary career in favor of being a mother and wife, she severed all ties, family ties, and returned in 1956, at age 67, to her hometown. Goiás-GO. Cora returned with the objective of building her literary project, of realizing the great dream of her life: to write and publish a book. Recognized in 2001 by UNESCO as a World Heritage Site, birthplace of the famous poet Cora Coralina.

Cora's House. City of Goiás in Brazil.
“I was born in this old house, in this old town in Goiás and I was born in the last century. I have all ages with me. I'm living the best moment of my life – a time of peace, tranquility, certainty, a time when I have nothing and I lack nothing. And I don't want to have more than what you see. All this is enough for me.” Cora Coralina Cora lived the house and everything around her, her gaze hovered over her daily life, her concerns... She spoke of the hands of a rural woman, of the life of washerwomen, prostitutes, farmers, her teacher, the children, of every stone erected in her city, but also for her in its history. Cora Coralina emerges as a living example of this situation. And, after living her life for her husband and children, often depriving her of her literary career in favor of being a mother and wife, she severed all ties, family ties, and returned in 1956, at age 67, to her hometown. Goiás-GO. Cora returned with the objective of building her literary project, of realizing the great dream of her life: to write and publish a book. Recognized in 2001 by UNESCO as a World Heritage Site, birthplace of the famous poet Cora Coralina.

Nossa Senhora da Boa Morte Church and Museum. Built in Baroque style in 1779. A fire in 1921 destroyed the main altar and damaged images by the sculptor Veiga Valle, considered the "Aleijadinho" of the region. Since 1969, it has been the Boa Morte Museum that houses images of the sculptor. From there the fire procession departs during the Week. Other sacred objects in silver are part of its collection. There is an image that comes out in the procession and their hair and clothes are changed and groomed every year. The city of Goiás in Brazil was recognized in 2001 by UNESCO as a World Heritage Site, birthplace of the famous poet Cora Coralina.

Goiás City Forum. In 1874, the first Court of Justice of Goiás was installed. It was a court of relationship, because, in fact, until the period of the French Revolution and the American Revolution, mainly after Montesquieu, with the theory of the tripartition of powers, the definitions of the State were better defined: the State as administration, the state as jurisdiction and legislative state Recognized in 2001 by UNESCO as a World Heritage Site, birthplace of the famous poet Cora Coralina.

Palácio Conde dos Arcos is a palace located in the City of Goiás, former seat of the government of the state of Goiás, named in honor of the first governor Dom Marcos de Noronha, the Count of Arcos. Its architecture is baroque. The city of Goiás in Brazil is recognized in 2001 by UNESCO as a World Heritage Site, birthplace of the famous poet Cora Coralina.

Tail Fountain.
A beautiful baroque fountain, one of the city's gateways, was built in 1778 to supply much of the city with drinking water. Recognized in 2001 by UNESCO as a World Heritage Site, birthplace of the famous poet Cora Coralina.

Rosário Church. Place of worship for slaves. In 1761, slaves asked to have a space of devotion for them, as they were obliged to follow Christianity, but kept their cults hidden. The church belonged to slaves until about 1900.

In 1934, the church was demolished and rebuilt in a neo-Gothic style by Dominicans from France. The church has a painting by Frei Nazareno Confaloni, precursor of modernism in the state of Goiás and founder of the School of Fine Arts of the Catholic University of Goiás

Streets of Goias

The city that was formerly called Vila Boa de Goyas, was the capital of the Captaincy of Goiás, which would become the current state. Continuing the thirties and forties, when it took years for the city of Goiânia to become the city of Goiânia. In 2001 it was recognized by UNESCO as a World Historic and Cultural Heritage.

The Bandstand.
It was a meeting point for rulers, colonels and people who were part of social groups such as doctors and the military. They would gather for rallies and social gatherings, and sometimes to announce important facts. Recognized in 2001 by UNESCO as a World Heritage Site, birthplace of the famous poet Cora Coralina.